‘Connected Classroom’, Dell’s IT Solution to Modern Education

Growing up in the digital age, youth today have the opportunity for greater access to technology and information than any previous generation. They have the whole world at their fingertips. And to enhance and equip students and teachers with 21st century skills to compete in today’s global economy, Dell launched ‘Purpose-built Latitude-2100 notebook’, a new range of solutions in India, christened “Connected Classroom”, which is targeted at the education sector to help schools hold classes using the latest technology.

“The idea behind the Dell Connected Classroom is simple, through its ability to stimulate learning on multiple levels; technology can enhance the classroom experience for both teachers and students”, said the Director of Solutions Marketing-Public Sector (APJ), Kriti Kapoor.

It is currently available in the US, UK, Mexico, Brazil, China, Australia, New Zealand and Canada. And it focuses on the sectors like education, defence, healthcare and government through its public division, which was created in November, 2009.

Prof. Marmar Mukhopadhyay (a moderator, policy maker, planner, author, researcher), addresses the reporters saying. “The agenda is to generate ‘Thinking based learning’, as it is crucial to bring about a positive turmoil in our new emerging India. Introducing technology in classrooms will certainly take away the fear factor and generate confidence. But we have to be extremely cautious about introducing any technology that encourages spoon-feeding as it will make our next generation incompetent.”

Explaining which Prof. M M Pant, member of Board of Management, IIT, Delhi, said, “Thinking and Computing are complementary components that has helped in growing from Agricultural economy to Knowledge economy, it enhances the ability to formulate new problems by thinking and then find new solutions for them.”

The company is working towards active and interactive participation of the government, community, teachers, students and their parents; it is in discussion with schools, both private and public, for deployment. The cost of the solution would start at about Rs 3 lakh per classroom for a 24-student set-up.

“The education vertical is going to be a key area of focus for Dell in the current financial year. Through this solution, we are increasingly focusing on providing mobility and the education sector will look at strengthening that position. There are currently 1.3 million schools in India with ICT penetration of approximately 14%, out of 7% of India’s population going online, 44% of these netizens are students”, estimated Dell India General Manager (Public Division), Neeraj Gupta.

“Textual knowledge integrated with technology can become standardized global education, no one can replace the teacher but technology can serve as an effective tool and an added advantage for better learning and understanding process”, concluded Dr. Shyama Chona, Renowned Educationist.

World of Ephemeral Pleasures

An experience of Divinity in its simple elegant form has been presented through a very opulent and graceful advance by the artist, Megha Joshi, who has attempted to capture the essence of the nature during the season of Hanami by blending the cultures and traditional arts of India and Japan. Presented by the Mirart Fine Arts “Golden Spring” an exhibition of Japanese Art to be held till 15 May at ‘ai’, MGF Metropolitan Mall, Saket, has put forth a universal idea through simple elements of nature.

It all began when Megha, who practiced more in the conceptual space with sculptures and installations which is a genre of complex art, open to various interpretations and discussions was posed with a challenge by Meera Kakar, the curator, to embrace a new style and approach to creating by fusing the aesthetic art of the Land of the Rising Sun with the sumptuous tradition of India. She accepted it and after a lot of research, produced a very delicate and oriental form of art that has the golden base and fabric textures of Japan unified with the spring aroma of India.

Exhibited at a perfect location like ‘ai’, a very prestigious Japanese restaurant in Delhi, the exhibition imposes an ambience where art and gastronomy has been fused together. Here golden spring fabric designs with Sakura (cherry blossom), kimono, and leafy textures embracing the magnificence of new life surrounds you on one hand and the delectable summer Japanese menu of ‘ai’ comes as a complete delight on the other.

The Chef De Cuisine, Vikram Khatri, indulges in the process of feeding all your senses and presents an enchanting round of cuisines where there is Cold Mushroom soup with mixed green salad, appealing Tuna Maki rolls with Wasabi (horse radish), fresh ginger and Soya sauce. Then accompanies the Miso soup with Bonita flakes and tofu, along with the mouth-watering Ceviche (sea food) with Okinawa chilies and yuzu sauce. For the main course comes the luscious Terriyaki chicken, Garlic fried rice and Rayu noodles with spring onions and sesame seeds. To top it up is the delicious green tea ice-cream and the green tea opera cake which makes it all in all a truly heavenly experience.

“It has been a meditative journey, from unlearning the complex modern theories of ideas to concentrating on a Zen-like approach towards creating aesthetics and imbibing the simple classic beauty of Japanese motifs which are so humble and genuine”, says the vibrant artist who now works upon a 300kg sculpture on social networking culture. She adds, “This is my first individual approach, and I am happy to have shared it with Meera, who inspired the whole secular decorative tradition”.

A very confident Meera appreciatively says, “The inherent beauty spontaneously inspires you to embrace the splendor of life around you. The spiritual spirit around the luxurious warming, envelopes the senses at the first sight, therefore making the entire approach more philosophical and divine”.

Mistress of Colours

Along with innocence in eyes, simplicity in expressions and vivacity in her smile, Salvya. S. Raj, a student of class VIII of Rani Public School, Vatakara, talks about her recent achievements in water colour painting.

The daughter of Mr. Sasidharan. C (Inspector in CRPF) and Mrs. Samja. K. K was awarded the first prize in the International Art & Craft Contest 2009-10 conducted by Pidilite Industries Limited. It was selected among seven lakh candidates from all over the world. She also bagged the fifth prize in the International Painting competition on ‘Climate Change’ conducted by United Nations Environment Programme (UNEP). Her entry was selected among 2.4 million entries from more than 100 countries and has now been selected as an E-Card.

After all the recognitions, filled with excitement the artist from Tellicherry, Kannur, Kerala welcomes all to her First exhibition “Let us be Green” at Travancore Art Gallery, Kasturba Gandhi Marg from 6 to 8 May at 5:30pm onwards. It will be inaugurated by Hon’ble M. O. S Agriculture, Government of India, Prof. K. V. Thomas and the Guest of Honour will be Film Director, Shri. Sasi Paravoor.

The admirer of the works of Milind Mulick and Sadu Aliyur says, “Never mind if you have to face great difficulties in life, one must be determined to struggle and flourish their talents to success.” She adds, “When I start painting I tend to get so deeply involved that I forget the world around me, my love and passion for art has given me a distinct identity.”

[Our Mistress of Colours has also achieved the CCRT National Scholarship in Painting, first prize and the Best Artist award 2009-10 in the All Kerala Painting Contest conducted by Thapasya-Kadalundi. The winner of more than 25 gold medals most humbly says, “I want to thank my parents and my art teachers Santhosh Chirakkara and Lohithakshan (Gitanjali) to whom I owe all my success.]

Our Mistress of Colours at such a tender age, through her paintings has taken a massive leap to grow awareness globally about saving our Earth from the devastations of climate change and global warming. All her creations portrays the images of lush green sceneries, glittering streams, smoke free surroundings putting forth the message of how magnificently beautiful our world would be if its made pollution-free. The winner of more than 25 gold medals most humbly says, “Through the medium of colours I want to reach one and all and urge them to contribute their part to save our nature, our home.”

‘I am Kalam’- The Voice of the Deprived

“It is essential that we enlighten and create widespread awareness of education among all sections of society particularly in rural areas and among the urban poor”, a quotation of former President of India, A P J Abdul Kalam, that sparked the idea of “I am Kalam”, 87-minute Hindi feature film.
An inspiring production of the Smile Foundation and Eleeanora Images Private Limited, “I am Kalam”, with a budget of 2.1crore will have its world premiere at the Marche du Film at the 63rd Cannes Film Festival starting on May 12.

Producer and Director, Nila Madhab Panda, who made over 60 short films, documentaries, television drama and films for national broadcasters, the BBC, Discovery Channel and NGC, now makes his ‘feature film debut’. He has indulged in a very interesting star cast making the film a perfect performer’s piece. It includes the brilliant and heart-touching acting of Delhi slum boy Harsh Mayar who is in the title role of a young Dhaba (road side food joint) boy (Chhotu), veteran Bollywood and international actor Gulshan Grover (as Bhati the Dhaba owner), child actor Hussan Saad of Delhi 6 fame (as Prince Ranvijay), French actress Beatrice Ordeix, FTII-trained Pitobash and Meena Mir. Bidhu Bhushan’s.

Coinciding along a time when the Child’s Right to Education Bill has passed this sensitive film, shot in Bikaner, is not only on the plight of the underprivileged millions deprived of education, but also about how the privileged class can play a role in their upliftment.
The film strikes a chord with an engaging, entertaining and fast-paced narrative like a contemporary fable. The film is about the world of Chhotu, who starts referring himself as Kalam. Chhotu’s life takes an unexpected turn as he befriends Prince Ranvijay, whose father, is an erstwhile “king” of a princely state where Chhotu goes to deliver tea. Both kids bond big time, and Chhotu starts getting his education informally. Does Chhotu achieve his dream finally; is what the film all about? Chhotu represents millions of other kids who could become many Kalams, but for the unfortunate circumstances they find themselves in.
“The film has a universal appeal and a sense of purpose. I believe that the more local you get, the more global your access will be. I have explored the people’s basic needs and problem of the marginalized, as they are purposeful and exciting along with cinema for children and family; a genre that is much neglected in world cinema and more specifically in Asia”, says Madhab.

“‘I am Kalam’ is a story of struggle that I have faced and observed since my own childhood. The film celebrates the survival of the human spirit against overwhelming odds”, concludes the Director who now works upon his next release “The Curse of the Rat Eaters”. Barbara Brocholli (producer, James bond) would be organizing a screening in UK with special dignitaries from UK industries.

Party of Pals at the Patio

Dyal Singh College
The Hangout: first floor terrace
Rush hour: Break time

What's to Love:
Dyal Singh College is a sanctum place surrounded by many well known places of Delhi, on one side it has Indian Habitat Centre, Indian International Centre and Lodi Garden and on the other side Khan market, Jawahar Lal Nehru Stadium. Even Central Plaza (CP), South Extension, Ansal Plaza and India Gate are not too far away.

Though a lot of its areas for lawns have now been occupied by the construction work for the metro-rail and Common Wealth Parking there is a lot more to explore. When asked about their famous hangout a unanimous roar arise “the roof top patio next to the Geography Department”. Students of numerous departments can be seen walking a scholarly walk in the corridors next to it chatting away cheerfully. Completion of assignments, sharing of tiffins, singing practices along with the melodious tunes of Guitar, gossiping gangs of gorgeous girls and good-looking guys can be caught here and there, making the porch an entirely merry-making hotspot.

This place gives an overview of the basketball court so the spectators can have a better view of the games and it also provides a scarce view of the amphitheatre thus, they can see the practises of plays, dances and other events taking place.
Being an open area this place is an obvious hangout for all students in winter and spring as they can sit here with friends and enjoy the Sun’s warmth whereas in summers they head indoors to the empty class-rooms. This balcony is well connected to the corridor as well as the staircase, commonly called the “Khopcha” by the inhabitants. In between classes, friends or couples maybe found here sharing a special moment.

“Our khopcha is our ‘staircase of happiness’ where we have stolen a quick moment of mischief, a moment of chit-chat, a moment of embarrassment when caught by teachers for bunking classes and many more”, echoed Krishna, a final year student of B A (Honours) Geography.

Gaurav Sikka says, “During our first year we used to sit on the terrace and discuss our plans to teach the underprivileged children living in the slum next to Jawahar Lal Nehru stadium.”

“You can see the students preparing for the fest ‘Dharini (The Earth)’ on the veranda, making posters and pamphlets for events like ‘Green Parliament’.” Proposed Lisa.

What’s not to be:

Ask them again and again and they will only have praises for their well chosen spot, only one drawback is that during summers it gets a bit to hot to hang around.

Alternatives:

All the well known places mentioned in the beginning are the alternatives other than that, students can be seen in the cafeteria, canteen, football ground, the paranthewala at the entrance gate and the amphitheatre.

Indian Penchant in a Platter

Conjuring up the traditional taste of Indian origin in the midst of the hustling bustling streets of the South extension market is an unprecedented gastronomical extravaganza – ‘Tasveer’, an up market fine dining Indian restaurant at E-12 Gourmet Gallery, provides a complete Indian cultural expedition. Tasveer is owned by Anish, Siddharth and Ayush who also own Café Morrison and Shooters.
The word “Tasveer” is a Hindi word which means a ‘picture’ or a ‘portrait’, the true experience of Tasveer begins with the entry to the restaurant, decorated in a simple yet aesthetic manner; the restaurant features some very beautiful photographs presenting an ethnic touch exude a feeling of nostalgia and style. Blended with the slow classical music played in the background and dimly lit surroundings, Tasveer is the perfect portrait for a beautiful romantic evening.
While conversing with the chef Mr. Ashok Kumar I decided to taste his special recommendations. The connoisseur presented a variety of dishes beginning with the starters there were popular mouth-watering delicacies like Murgh tikka lababdar, Tandoori Jhinga, Tandoori Pomfret, especially Bano kebab, a slightly spiced, well marinated kebab covered inside a veil of egg white giving a light and healthy snack for the health conscious ones. Tasveer has a lesser known treat for the vegetarians too, called ‘Tandoori Fruit Chaat’, an Indian Tandoori delightful blend of fruits like apple, lichi, pineapple, sweet potato with paneer, and the refine taste of our traditional spices smoothly mellows in mouth leaving a long lasting essence.

Talk of the main course and you can see the chef smiling, as he brings forth the Chef’s special “Mutton Combination” a blend of mutton with Lauki, sounds bizarre, well on the contrary it’s the favourite of the ones who have tasted it. Concerned about the health cognizant it’s a cuisine of heavy mutton with light Lauki providing a healthy nutritious diet that doesn’t makes you lethargic rather energetic. The palate produced the gastronomic trademark Mutton Rogan Josh, Jhoomta Kukkad and Murgh Peshawari and the famous Dum Aloo Kashmiri, with its inescapable aroma of red kashmiri chilies, powdered cashew and cardamoms, the Paneer Khatta Pyaaz, had a thick tomato red gravy with a tint of lemon flavour. The hot creamy Lucknowi tadka style Dal Makhni and the Hyderabadi biriyani came as a pleasant surprise for any gourmand. Backed by the Chocó pastry and kesar-kulfi as dessert it gifts an entirely Nawabi experience.

Mr. Siddharth Talwar, the co-owner of Tasveer says, “Delhi has always been a mix of cuisine, culture and heritage. Tasveer endeavors to bring together some well known and some not so well known classics of Indian cuisine, so to feel the essence of this culinary experience, to celebrate the richness, the mystical flavours and the aromas of the Indian cuisine, a visit is a must.” A meal for two would comprise to about Rs.1000 plus taxes.

Hub of Benign Bonds

Kalindi College
The Hangout: Stairs at the Office flipside
Rush Hour: the lunch time

What’s to love:

Amid the serene residential colony of East Patel Nagar resides this hub of activity where pretty girls live their dream. Kalindi, situated a few step from a gurudwara is not very far away from the buzzing avenues of Karolbagh Market on one hand and the East Patel Nagar market on the other.

Among the many places to throng, the staircase on the backside of the office building is a unanimous choice. The canteen and a Nescafe shop are next to these stairs. Sheltered well away from the class rooms it’s an ideal hangout for students, who can be seen gathered in groups to enjoy hot Maggie with cold coffee or ice tea. During cooler months girls sit in the lawn surrounded with colourful flowers in front of it to feel the warmth of the sun.

“We have shared many lovely moments here at our ‘Nescafe adda’. Nervous revisions before the exams, chit-chats over chowmine, sipping of hot coffee while making future plans and many more”, says Shipra, a final year BA (H) Journalism student.

“The vacant auditorium and the sports ground are also favoured by some”, proposed Shivali.

The lawn at the entrance of the college is another popular spot with the girls where students of different courses come together. Some are seen finishing assignments, some strengthening their bond of friendship and some making promises of love over phone. Sometimes even classes are also conducted here.

What’s not to be:

Being the favourite place of all, the entire place is usually very crowded. Being shaded by trees, bird-droppings are another problem. At times birds can be seen hopping around the place nibbling the left over. During summers the cemented stairs become very hot and is not that much of a hotspot then.

Alternatives:

During summer most end up in common room and empty class-rooms.

Rest prefer to hangout in the “Standard” a refreshment outlet in Patel Nagar market or the Café Coffee Day, Nerula’s and Mc Donald’s near Rajendra Prasad metro-station. The “aloo-chatwale ka thela” is another much-loved select.

When the mood is set for a window shopping moment along with catching a bite here and there the boulevard of Karolbagh market is the first and the foremost pick.

'Rule Out Cancer Before it Rules You Out'

The changing demographic scenario in India is declining fertility level and increasing life expectancy. Higher incidence of non-communicable diseases, especially ‘Cancer’ is positively associated with percentage of geriatric population of a country especially 40 years and above. The World Cancer Report documents that cancer rates are set to increase at an alarming rate globally. Cancer rates could increase by 50% new cases for the year 2020. The Cancer Atlas published by Indian Council of Medical Research (ICMR) indicates that incidence of gall bladder cancer in women in New Delhi is 10.6 per 100,000 population which is the world's highest rate for women.

Cancer is projected to become the leading cause of death worldwide in the year 2010, according to a new report by the International Agency for Research on Cancer (IARC), a division of the World Health Organization (WHO). ‘Lung Cancer due to smoking may soon account for 20 percent of all male deaths and 5 percent of all female deaths among Indians between the ages of 30 and 69’.

Women in India top the list in cervical and breast cancers. Conservative estimates show there will be around 2.5lakh new cases of breast cancer
in India by 2015.

In India 40% of rural women suffer from Cervical cancer due to early marriage and high number of pregnancies, whereas 25% of urban women like in Delhi and Mumbai suffer from Breast cancer due to late marriage and late pregnancy.

According to Dr. R K Grover, Director of Delhi State Cancer Institute, ‘a woman should have her first child by the age of 21-22 years to save herself from the high risk of breast or cervical cancers.’

So, prevention and awareness is the only way to reduce the number of cancer deaths in India since majority cases come to hospitals in third stage when treatment is difficult.

WARNING SIGNALS
Ø Unusual bleeding of discharge from any site or orifice (especially if painless).
Ø A lump, nodule or swelling in any part of the body (breast).
Ø An ulcer or wound any where that does not heal, including mouth cavity.
Ø Persistent irritating cough or hoarseness of voice.
Ø Indigestion or pain/difficulty during swallowing.
Ø Recent change in bowel or bladder habits.
Ø Obvious change in shape, size or appearance of a wart or mole.
Ø Repeated headaches, progressive change in vision, convulsions or progressive weakness of one part or side of the body.
Ø Unexplained irregular fever, progressive weight loss, persistent loss in appetite or progressive weakness.
(Consult doctor immediately if any of the above persists for more than two weeks.)

Researches have been done for years to develop new techniques to cure cancer. ‘Genetic testing’ for high-risk individuals is already available for certain cancer-related genetic mutations. Carriers of genetic mutations that increase risk for cancer incidence can undergo enhanced surveillance, chemoprevention, or risk-reducing surgery. ‘Prophylactic vaccines’ have been developed to prevent infection by oncogenic infectious agents such as viruses, and therapeutic vaccines are in development to stimulate an immune response against cancer-specific epitopes.
A preventive ‘human papillomavirus (HPV) vaccine’ exists that targets certain sexually transmitted strains of human papillomavirus that are associated with the development of cervical cancer and genital warts. The only two HPV vaccines on the market as of October 2007 are Gardasil and Cervarix.

Gene
Cancer types
Availability
BRCA1, BRCA2
Breast, ovarian, pancreatic
Commercially available for clinical specimens
MLH1, MSH2, MSH6, PMS1, PMS2
Colon, uterine, small bowel, stomach, urinary tract
Commercially available for clinical specimens

Greater than 30% of cancer is preventable via avoiding risk factors including: tobacco, obesity, low fruit and vegetable intake, malnutrition, physical inactivity, alcohol, sexually transmitted infection, air pollution and unhygienic surroundings. Self examinations of breast by women after periods, monthly or yearly check-ups by all especially people above 40 years will help in early diagnosis of the disease.

Dr. Grover advices, “Whenever any symptom is detected get yourself checked to prove or disprove it, but never neglect it. A healthy diet with lots of anti-oxidants and an active life style will help reduce the risk. The earlier the cancer is diagnosed cheaper will be its treatment and lesser will be the pain. Remember Cancer is curable if diagnosed and treated early.”

Sasural Genda Phool

A breathe of fresh air relieving from the stereotype ‘Saas-Bahu’ serials is presented by Star Plus channel’s new soap opera ‘Sasural Genda Phool’ to be on air from 1st March. It is a very entertaining story of a young rich slipshod girl who lives on her own terms, but then she gets married into a conservative family where her world goes upside-down.

“Suhana (Ragini Khanna) is a pampered child of her affluent father (Mahesh Thakur), who lovingly raised his two daughters after his wife’s death, adhering to all their whim and fancy. Suhana is stubborn, adamant and goes around the house breaking crockery when angry still; she is not a bad child. She gets married to Ishaan (Jai Soni), an IT professional due to her father’s behest. After her marriage into a traditional and conservative family which is completely different from her own liberal lifestyle, she learns the values of life and grow mature and more sensible”, says Ragini

“I wanted a completely different role from my previous character in ‘Bhasker Bharti’ where I had to act as a man, and when this opportunity came my way I instantly grabbed it”, she added.

Mitali Bhattacharya, the scriptwriter, said that along with the understanding of the Indian family ethos this serial which is full of comedy, drama, suspense and traditional Indian values, puts forward a very strong message for today’s youth.

When asked about the copyright violation for naming their serial after the A. R. Rehman’s song borrowed from Rakeysh Om Prakash Mehra’s film Dilli 6, Star Plus Head Content Strategy, Gaurav Banerjee says, “the song ‘Sasural Genda Phool’ is actually a popular folk song of Madhya Pradesh, which has been used for the title of the serial as it was catchy and apt for the script of the serial, however, all necessary permissions have been taken.”

Commenting on the charge that the serial has been adapted from “Ogo Bondhu Sundori” a serial shown on Star Plus’s own channel, ‘Star Jalsha’, producer Ravi Ohja explained, “That serial was a success for West Bengal audiences, it has now been reproduced in Hindi with a whole new star cast for all our viewers at large.”

The performances of the seasoned actors like Sudhir Pandey, Anita Kanwal, Supriya Pilgaonkar, Sooraj Thapar and Sadia Siddiqui provides the serial a flavour of a real Indian joint family where, there is a mix of all light-hearted emotions that will redefine the way the viewers perceive our society through television.

Edutainment at its Best!

Every mother wants to know what is best and safe for her child, be it for education or for fun, for them two exuberant entrepreneurs Ashima Razdan and Shiffali Wadhawan presents ‘Mama’s Little Donut’, a unique and the only ‘Concept toy store’ in India.

With the view to protect the toddlers from toxic chemicals like lead present in poor quality plastic toys, Mama’s Little Donut has qualified the standards of the BS EN 71 certificate for safe toys.

Collaborated with international brands like Melissa and Doug, Wonder World, Puppet Company and so on it is providing toys that use replenishable rubber wood, child safe paints, well thought out ranges meant to encourage dexterity, motor development skills, cognitive skills and encourages creative and imaginative thinking and make learning loads of fun.

Mrs. Razdan says, “Noticing how much imaginative play encouraged a child to be confident, articulate, sharpened their memory and enhanced their social skills, I passionately believe that free play does magical wonders to the development of a child.”

The flagship store situated in welcoming environment of the green and serene Panchsheel area of Delhi showcases a wide range of creatively designed toys, imaginative playthings including easel, puppets, dollhouses, development toys, puzzles, special occasion dresses and colourful alphabetical and numerical blocks. There are well-organised sections for boys and girls merchandises ranging from Rs.150-15000.

Then there is ‘Mamas must reads’: A book section where internationally acclaimed titles are available for kids as well as mothers (of new born children and up to age 8) to read, like Ladybird Tales and The Magical School Bus with graphics and illustrations.

The colourful hub of fun celebrates all festivals like Holi, for which they have arranged organic colours for kids. They have also organised events like story-telling session with Heather Adams, author of Ladybird Tales, Christmas party and on 7th March, 2010 they are planning for a ‘Heritage Walk at Humayun’s Tomb’.

“We plan to open a 100 stores nationwide starting from Delhi NCR to Pune, Mumbai, Kolkata and so on. Young mothers who have entrepreneurial and management skills and has equal concerns for a child’s safety will be the perfect franchisees”, says Mrs. Wadhwan.

Typographica comes to Capital

Ever spent a moment to ponder upon the fineness of the numerous font types around you? They exist everywhere, from the beautifully fashioned calendar hanging in your bedroom to the sign-boards on the shops, in metros and so on. V Sunil, Executive Creative Director and Alice Cicolini, Curator at large of ‘Wieden+Kennedy Exp.’ Gallery , New Delhi, acknowledges the significance of this conceptual art and bring to you for the very first time an exhibition on typography entitled ‘Typographica & 50 Years of Seminar’ from 17th Feb to 9th March,2010.

The exhibition is curated by Rick Poynor, founder of Eye magazine and author of the book Typographica. It was first launched at London’s Kemistry Gallery as a part of September’s London Design Festival and has been brought to India by W+K Exp.

Alongside there is celebration of India’s own pioneering testament to the power of the word made type, ‘Seminar magazine’, which completed 50 years of great efforts for bringing ‘opposing viewpoints within the covers of a single magazine’. Unheard of in the publishing world, Seminar has devoted an unequivocal support to typography by displaying a purely typographical cover since its inception. Akila Seshasayee, Designer and Malvika Singh, Publisher of Seminar, presents the best covers of the magazine. Digital prints will be available for sale from Rs.3000-7000.

‘Typographica’, a UK based eponymous graphic design journal was groundbreaking when first published in 1949 and is now considered legendary. It was founded by Herbert Spencer, one of the most influential British communication designers and typographers. His ability to fuse images and words in meaningful new relationships was highlighted in Typographica’s pioneering content consisting of
concrete poetry, avant-garde type experiments and photo-documentary.

Alice says, “The beauty of a letter is revealed by how it meshes with companion parts of a total typographic system and how it works in combination with its fellows, our attempt is to familiarise Indian youth to this abstract art of text.”

Talking about the credo of W+K Exp, Mr. Sunil explains, “We aim to make Art accessible to all from a veteran collector to someone who’s simply looking for a print or an experience, as culture is not something that should be placed on a pedestal and worshipped but to be experienced and enjoyed”.

Reminiscence of a Man's Journey

A creative journey exploring the seasons that come and go in a man’s life was aesthetically exhibited by Somnath Singh at the Rafaael’s, New Delhi, presented by Ritu Walia Art from 8th to 22nd Feb, 2010. His fifth solo art exhibition entitled ‘A Man for all Seasons’ is a ride of gleeful and exquisite use of forms and colours.

He started his work using geometric shapes where he painted a crucified Jesus. Later he practiced ‘semi – abstract’ form. The use of sharp contrast in brush strokes, and the colours that he has brought into play like red-for passion, fire, desire, green-for balance, earthy colours-for maturity, humility leaves an impressive image on the mind.

“A man is his youth has great passion and clarity of thoughts. During mid-twenties, he experiences submissiveness. Then his aura is bogged down with the realization of responsibilities and the realities of the world. Still he makes every effort to create his own ‘Identity’, his special space. During this passage he becomes mature, serene, learns to balance his ego and blends himself with his surroundings. As he grow old, he let go of all worldly desires of possessions, he feels calm, happy, contented as he recollects his seasons of life”, explains Somnath.

“He has brilliantly used red and white to paint the contrasting metaphor of life where ‘a man has everything but due to immaturity and confusion inside him, he feels terrified and doesn’t realize his potentials, whereas in a later stage there is unrest and perplexity everywhere but as he has grown more experienced and established he lives in serenity.’
Such in-depth understanding of life makes him a promising young artist to look out for”, says Mr. Amber Walia, the owner of Rafaael’s.

Mr. Walia added, “Today’s environment provides the young artists with creative independence, free from perceptions of what art should or should not be. This is the greatest opportunity for all artists to exploit their talent to the fullest and spin the art world around completely. The capability of today’s youth is phenomenal and art galleries like Rafaael’s are ready to embrace their work and take up the responsibility to give a platform to the budding talent to become established.”

Alka Dies the Death of Cultural Imperialism

Barren corridors, the usual darkness with unusual silence and the dust laden building, which earlier buzzed with the sound of action, music and drama now lays abandoned in a dilapidated state, speak the contrary story of a cinema theatre, Alka at Noida Sec-15.

Alka was pioneered by Late Subhash Chand Aneja, who named it after his wife. It began its magnificent journey in 1982 and earned the glory of serving as the only means of entertainment for the inhabitants of Noida till the end of the previous decade. Having a capacity of 960, it held five shows a day making around Rs. 9,000 per show. It had contemporary Bollywood releases like Sirf Tum, Mann, Kaho Na Pyaar Hai etc.

But, after the death of Mr. Aneja in the year 2000, the responsibility of the cinema theatre was handed over to his wife. However Alka could not retain its splendour and started fading away into a tragic darkness. As the years went by its grandeur started to deplete due to the imbalance created between investments and earning corresponding to the rising price of Bollywood release and new emerging market trends like multiplexes. With Bhojpuri and Madrasi films, the Cineplex tried to counter the rapidly changing socio-cultural arena and made an attempt to revive its profit margin. Its subsequent efforts added to put adult English movies on show. But their attempts were all in vain before the monotonous ambience and mediocre management of the theatre and now it is at the verge of demolition.

It seems as if the people have developed an appetite for the rapidly invading multiplex culture and are losing attachment with their native tradition of viewing movies in single screen theatres.

Last year Alka surrendered and decided to join the league equipped with modern technologies, as lack of cable facility, electricity, reduced seat numbers and the availability of pirated CDs made its survival difficult. The theatre is planning to reopen the ticket counter with all the pomp and show of a multiplex.

However the residents opined, “Showing new release and Bhojpuri movies could help Alka rewrite its success story once again. The death of cineplexes, which are comparatively affordable for a commoner, is making the enjoyment of film viewing an expensive affair.”

In the midst of all actions and reactions, the transformation has its share of social implications as well, which is falling heavily upon the illiterate employees as no alternative opportunities have been worked out for them.

Still such culture is conquering the neighbouring areas as well where Cineplexes like Dharam Place are being demolished to give way to multiplexes like Kavita and Space to cater to the demands of the elite class and devoid the local audience from cinema entertainment.

Bejewelled Zoya

An enchanted world where inspirations from around the world come together to be alive, from ancient cultures, forgotten relics, sensual dance, exquisite fabrics to a sudden bust of rain. The very soul of this unique art to immortalise gold and diamond designs with expert craftsmanship is captured by Zoya, the exquisite diamond boutique from the House of Tanishq.

Ramola Bachchan presents a dazzling afternoon of indulgence in fine faceted gems to her special companions in the Zoya store in GK-1, New Delhi. They were taken through an exclusive preview of exquisitely crafted collection of finely cut diamonds. The souvenirs of Zoya’s journey included traditional ornaments, fusion of Kundan Polki and precious stones in contemporary style.

Amongst the dazzled decorum beaming the aura of sophistication befitting the beauty of the jewellery Zoya, laid out the red carpet treating the guests to the rare richness of hors d-oeuvres that set the tone to this luxe afternoon.

Renowned gemmologist Biren Jhaveri, Manager, Store Sourcing Department at Tanishq offered an insight of the women’s most iconic store through an interesting presentation.

Mr. Jhaveri said, “Diamond, comes from a Greek word ‘Adamas’ meaning ‘unconquerable’. The art of mining for it is 900 million years old and am proud to say it started in India itself. This gathering is to provide the Indian women the best diamonds to enhance her international aspirations.”

Joining him in the interactive talk is Queeta Rawat, Designer Zoya who explained the creative process of designing a perfect piece of jewel. She took the jewel patrons through a journey introducing the intricate details of creating Kundan-Polki jewellery using Meenakari to give the glamorous and lustrous look.

Then the experts cleared all clarifications pertaining to the purchase of the fine diamond jewellery keeping in mind the four C’s – cut, clarity, colour and carat.

Zoya’s endeavour is to make women know and understand their diamonds and also get an insight into the design process for its dynamic and illustrious finish. It showcases luxury in its most undiluted form pampering their niche customers with private services. Experience the aroma dedicated towards fine understanding of diamond, a woman’s best friend.

Phaans- A Tale of Injustice

“Politician’s death wins him fame and grandeur and an Army officer’s death is honoured with Shaurya Chakra but the death of a patriotic secret agent earns the stigma of a Traitor”, said Jawahar Lal Jairath, the Producer of the Bollywood new release, Phaans – Ek Jasoos Ki Kahani, directed by A. Chitransh, at a Press Conference held at Film Division.

The intriguing drama thriller revives his real life experiences during the era of Pokhran Nuclear test in the year 1998 when India and Pakistan were on a verge of war.

The erudite childhood of Mr. Jawahar is played by Master Rohan Sachdev, which at a later stage is played by the producer himself.


When Sameera (Shieva), the granddaughter of Jawahar, finds out the injustice meted out to her father, Jatin, an Army officer, she pledges to redeem the lost glory of her family. She is accompanied by Rohit (Kanan Malhotra), a software engineer, who falls in love with her but an interesting love triangle emerges.

Shieva says, “The uniqueness of the story doesn’t emphasise on glamour and beauty.” Similarly Kanan finds it so compelling that he couldn’t resist choosing it as his début in Bollywood.

Calling the actors Mini- Brahmas, jack of all trades, Kanan has Pharar- a complete Bollywood masala movie up his sleeve.

Believing in the ideology-‘one should live and die for ones own country’ Mr. Jawahar welcomes all to share his endeavours and to look out for his next release ‘Milta Hai Chance By Chance’, a musical love story starring Gracy Singh and Alam Khan.

SOUL HEALERS!

Frustration, deviation, and dissatisfaction are some of the dilemma of modern lives which even science finds inexplicable. So, borrow a moment from the upheaval and travel through a beautiful journey from confusion and frustration to love, life and wisdom which will be enlightening as well as transforming at the Nakshatra Exhibition, being held at Pragati Maidan, 1st – 7th Feb, 2010.

The joint venture of Neera Sareen, an internationally renowned Tarot Card Practitioner and Teacher and Mr. Madhav Kant Mishra, a senior journalist, spiritualist and a promoter of Rudraksh plantation is aimed at helping people with the karmic powers of Tarot and the divine energies of Rudraksh. Mr Mishra believes, “Rudraksh, deemed closest to Lord Shiva is as divine as Tulsi, planting this karmic healer in house will eliminate negativity and generate prosperity”.

Her being extremely intuitive, spiritualist and sensitive to unseen influences brought her close to these Divine Arts. She started with Reiki (1995) and Tarot (2000), since then she practices healing therapies, predictive arts and occult.

Readings through Tarot, Coffee Cup, Tea Leaf, Angel card and Ceromancy are fetching people towards the Holistic Healer. She provides guidance for enhancement of self confidence and self empowerment. A session of Tarot and Angel Cards cost Rs500 along with it a free Rudraksh bead is given as a complimentary gift. She also holds one hour free consultations everyday for those who cant afford but are in need.

“Among the recent visitors are students, employees and couples who have queries regarding career, health, wealth, love and marital problems. They lack focus, energy and confidence and are afraid of making decisions. After consultations these visitors leave with satisfactory smiles”, says Neera Sareen

“I aim to help people understand their purpose and potential in totality and to heal the soul with unconditional love”, added Neera Sareen

Neera Sareen is presently running “Karmic Centre for Learning and Healing” to help people discover a new outlook of life and its meaning. Thus, if you seek solutions and your purpose of life, the Super Achiever Award 2008 winner, Neera Sareen, could be an answer for mind, body and soul healing.

LENS VIEW OF BUDDHISM

‘The beauty lies in the eyes of the beholder’ truly explains the talent that brought out an exceptionally peaceful and spiritual arena from within our tumultuous lifestyle at the Indian Council for Cultural Relations(ICCR), Azad Bhavan Art Gallery.

Sondeep Shankar, the winner of Parishad Samman by Sahitya Kala Parishad in 2003 and the author of ten book series on Sikhism, traveled across Orissa, Arunachal Pradesh and Ladhak to New Delhi. He gathered his precious works of photography and held his first exhibition on ‘Buddhism in India’. The sanctity of the images portrayed the belief that ‘prostrating before Buddha is a way of accumulating merit in the life after this’ attracted everybody’s attention especially of the Indian Minister of State for External Affairs, Shashi Tharoor.

Ajit Gupta, officiating Director General of ICCR, Dr. Niru Mitra, Director and Sondeep Shankar welcomed Shashi Tharoor and guided him towards each photo while narrating the stories behind it. Impressed by his work Shashi Tharoor said, “You really have an eye for people, the emphasis on details has made the photos more real than real life. It’s remarkable.”

“Sondeep Shankar is an outstanding lensman and has great potential for capturing people in his camera; the humanity is very much displayed. I extend my admiration and congratulation.” He remarked.

After the exhibition refreshments were served where Shashi Tharoor spoke with ICCR members who plan to make it a cultural hub which would include exhibitions, functions in auditorium, film screen and the like.

A welcoming surprise at the exhibition was Mr. Bhim Rao, who inspired by Sondeep’s work asked him to sign an autograph on his painting which had the pictures of Sondeep Shankar, Prasant Panjiar, Avinash Pasricha, Raghu Rai, Pawan and Pankaj.

Touched by this warm and pleasant gesture Sondeep said, “My interest in photography is just not a mere means of income, though it requires a lot of hard work and dedication but for me it’s an ‘addiction’. And admirations like the one Mr. Bhim Rao gifted is an added encouragement.” Such were the words of an exceptional photographer who looks forward to explore deeper into the spirituality of Buddhism.

T20 Live in Theatres!

A revolution is about to begin for those bored with watching cricket on the small television screen. For the first time in Indian sport history DLF IPL 2010 matches are going to be screened ‘Live’ on gigantic screens of your neighboring theatres by the UFO Moviez.

The world’s largest digital satellite cinema network, UFO Moviez India Limited, Joint Managing Director, Mr. Kapil Agarwal and CEO-Indian Operations, Mr. Rajesh Mishra introduced this pioneering concept of bringing live IPL matches across Indian’s both multiplexes and single theatres.

Addressing the Press conference Mr. Kapil Agarwal said, “UFO Moviez attempts to provide a larger than life experience to the cricket admirers. An uninterrupted, advertisement free live action in High Definition Digital format will give 33% more exciting content in over 1000 cinemas theatres across 500 cities.”

“The popularity of IPL matches combined with the HD format of UFO Moviez and the exclusive source premium of sport content for the Indian market by Crown Infotainment Private Limited exhibits a phenomenal evolution taking the cricking entertainment to a completely different level,” he added.

Mr. Rajesh Mishra said, “Prospective viewers will get tailor-made season tickets with concession. There will be music, food stalls, face-painting stalls, gifts, lucky draws, cheer-leaders and many more excitements making the family gathering an exceptional Carnival experience.”

The first year expectant technical investment is around 30-40 crore for 70-80 screens which is supposed to rise to 500 screens by next year, while the revenue will be shared between the cinema hall owners and UFO Moviez.

Exhibiting such a new paradigm in cinema viewing with more clarity and content will create a stadium ambience with a wholly 360 degree communication. Even celebrities from various walks of life will be coming to these screenings to promote these memorable events across Delhi, Nagpur, Gujrat, Pune, West Bengal and 500 more cities.

A gathering of family and friends for experiencing a magnificent carnival with celebrities and cheer-leaders while watching cricket matches live on 16:9 High Definition format screens during the 45days of IPL matches is a value for money opportunity. And for those who feel excitement gushing through their nerves the wait is just till 12 March.